![]() In total, the scenes took over a year and a half to put together. Stef Ceretti, VFX supervisor, worked on the shots, many of which are set in cages. Whether it was transitioning him from being on all fours to “giving him shoulders to make him more human-like.” Or “using fewer animation effects when he’s a baby and when he’s an adult, we pushed his emotions.” Using the blend shape technique, they could animate the characteristics to show the various stages. Wajsbrot says there were six different stages of Rocket, with the baby version being inspired by real raccoons. Rocket witnesses the villain kill his close friends. Audiences learn he’s been part of the High Evolutionary’s mad scientist scheme to create an advanced species. What gives the film its heart is Rocket’s heartbreaking backstory. It was a lot of hand frame animation to get that.” Rocket’s backstory They’re flowing and bouncing off one another and reacting to the Guardians. Despite the sequence being only 17 shots,” Wajsbrot says, “There was a lot of detail in the stampede from fur, to the turtles, to a monkey on top of a pig. “That was a huge effects moment of fire, debris and sparks, as well as all the animals. In addition, Cosmo, who uses her psychic powers to bridge the two ships together, also required hand animation effects.įurther adding to the challenge were the effects of the two ships exploding and separating. They began by using plate shots with the Guardians running and holding gray beanbags “pretending to hold animals, but that didn’t work, so the animals and the Guardian’s hands ended up being CG.” “The challenge was making sure that sequence was believable,” Wajsbrot says. ![]() It was also the last shot they delivered. They started working on the shots as soon as they were commissioned to work on the film. It becomes a heavy scene to tweak and manage.” Not only is it hard to do crowd scenes in general, but Wasjbrot also explains there were animals “all bouncing and interacting with one another, in the middle of the Guardians, and you add fur to the creatures. Framestore also worked on the “stampede” sequence, which sees Mantis, the Guardians and over 500 animals being rescued from the High Evolutionary’s (Chuckwudi Iwuji) ship.Īlexis Wajsbrot of Framestore London says it was one of the most technically challenging sequences.
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